My art is often a way for me to make sense of the world, and my place in it. Even the physical act of drawing allows me to feel calmer and more at peace with my surroundings. I suppose my pieces are a way of creating a bridge that connects my world to reality. The subject matter fluctuates, ranging between my desire to purge some inner demon, to merely giving life to an idea I found amusing and wished to create. I often use symbolism to represent my concepts in a broad way, hoping to convey to the viewer a general idea of what I wish to express, without giving them a step-by-step guide of how to relate to my work. I have always found interest in “traditional” methods, such as drawing and painting, and often use both in my pieces. www.AnneByrdArt.com
Macro Splash: We create these singular shapes through the collision of water, cream, paint, or ink droplets. Their various shapes and colors depend on the temperature, viscosity, gravity, density, and volume of the liquids we use. We work with black acrylic or pan filled with liquid in order to reflect the splash. Due to the laws of physics, the end result is often the opposite of what you’d expect.
Mega Splash: Our mega splashes, often called “jelly fish”, because they look like a form of marine creatures, are carried out by propelling water mixed with inks or/and paint of different colors, using a compressor. These water sculptures flow in the air to 6 or 8 feet high. The different shapes are obtained by modifying pressure and the pipe of water supply, which allows breaking the original shape of the “jelly fish” into fairy tale flowers for example. Under pressure, the water extracts the dies which will color the water column. The crystal appearance and the magical transparency looks like the work of a glassblower.
Fluid Painting: In the pouring acrylic painting technique, the paint is not applied with a brush or palette knife, but rather use gravity to move the paint across a surface by tilting it. The results are unlike anything you can get with a brush. The fluid flows without any brush marks or texture. We take macro photography of this psychedelic paint while it still wet and alive by choosing the best swirls. Things always look so different once dry. Our technique: Our splash photographs reveal unique liquid sculptures, created by the collision of water, cream, paint, or ink droplets or by using gravity to move the paint across a surface by tilting it. These liquids in motion are frozen in time by a high-speed flash of light. Our art prints are created with a dye sublimation process on aluminum so the colors become a magical luminescence.
Gathering inspiration from explorations of daily life, the environment, history and travel – this is the basis for all that I create. My personal influences are diverse, ranging from early childhood exposure to Faroese folk art and Peranakan textiles & ceramics to modern artists such as Jun Kaneko and Dale Chihuly . Mediums of choice vary based on concept and practical use – ceramics, paint, textiles, upcycling, salvaged materials, collage & assemblage . Pure, simple and beautiful is my endeavor – Hansdottir is the resulting amalgamation.
Pennies From Heaven Designs creates art and more for the eclectic soul. We incorporate a little bit of pop art, a dash of flash art and a touch of Tex-Mex into our work. We believe life should be full of color and our art reflects that feeling.
Pennies From Heaven Designs is a husband and wife team. Penny McDonald and Rob McDonald are life long Houston residents and have been artists for years.
I am a professionally trained artist having earned a Bachelor of Fine Arts degree from the University of Houston. Since then I have continued practicing my craft exploring various styles, materials and techniques creating highly detailed pieces. While my work is diverse both in choice of medium and subject matter, it centers around nature and organic forms.
I create remarkable jewelry from antique and vintage architectural elements, including hinges, keyholes, chandelier parts and doorbells. I also repurpose musical instruments, clock-parts, vintage tools and postage stamps. I search high and low for castoff pieces of the past, then reinvent them. I frame them in classical jewelry settings, to highlight their hidden and often unintended beauty. The result is a striking and adventurous synthesis of industrial strength, history and glamour.
Valerie Gudell, 3D mixed media artist, was born in NYC. She currently works in Houston, TX, where she creates assemblage art as well as vinyl and clay creatures with unique and sometimes complex personalities. Her main artistic influences include the Steampunk genre, Asian culture, and street art.
During the past few years, Valerie has shown her work at the Japanese American National Museum (Los Angeles, CA), Irving Arts Center (Irving, TX), ShockBoxx Gallery (Hermosa Beach, CA), CraftBoston, d’Art Center (Norfolk, VA), and the San Angelo Museum of Fine Arts (San Angelo, TX). She has shown her work locally at the First Saturday Arts Market, Ardest Gallery, Texas Art Asylum, Winter Street Studios, and Art Museum TX. Her work has been featured in the Houston Press, Culturemap, The Leader, the LA Beat, and the OC Register, among others. Valerie is currently an artist at Hardy and Nance Studios (Houston, TX).
Zen Morris-VMGWater Rabbit-VMGRudo-VMGRabbitmonsters-VMGJellybean Monsters-VMGJellybean Monsters-VMGGarbage Party or HOA Meeting
I am a landscape and nature photographer living in Houston, Texas. My goal is to seek out inspiring rural locations and subjects, either natural or man-made, and capture them with the medium of photography to create fine art of the highest quality. http://www.herschbachphotography.com 713-454-9468
I grew up in a small town in Oklahoma and spent my childhood playing outdoors in the woods, fields, streams, and lakes. I have never much cared for the hustle and bustle of city life. My inspiration comes from my time spent walking, running, biking, riding, and driving the back roads where relatively few travel. Open pasture instead of parking lots. Silos instead of skyscrapers. Barns instead of strip malls. Hills and mountains instead of overpasses and super domes. The rural areas speak to me.
I became interested in art at a young age. My Aunt bought me Mark Kistler’s Draw Squad for my birthday when I was twelve and it taught me the fundamentals of creating a three dimensional world on a two dimensional piece of paper. In Junior High, I took a year of private instruction from a local acrylic painter who worked with wildlife and landscapes. During this time I also was taking piano lessons and even taught myself to play the harmonica and the guitar. I grew to enjoy and become skilled in various arts.
Throughout this time I had experimented in photography, from my first 110 film camera given to me by my first grade teacher, to the Minolta SLR I chose as a high school graduation present. However, it wasn’t until December of 2009 that I began to take photography more seriously when I decided that I would like to create some artwork to hang on the walls in our home. In order to do this, I knew that I had to develop a strong foundation for the technical aspect of photography and to continue developing my artistic eye and mind, which I had already begun years before.
I began scouring the internet and reading every book I could get my hands on and watching countless hours of videos on image processing. I submitted select photos for critique by professional photographers. I took on voluntary photography projects at work and at my church to learn how to use light effectively and picked up some small family portrait jobs here and there for family and friends. With every photograph I created, I grew closer to being able to use photography as not just a way to capture a beautiful scene or subject, but as a viable method of communicating emotion, a fundamental principle of fine art. While I understand that mastery of any genre of art is subjective and, at best, difficult to attain, I wish to share with you the artwork that I create along the way as I work toward this goal.
I’m an old hippie whose jewelry making began 20 years ago when on a dare my wife signed me up for a beginner beading class at a local bead shop. I was hooked pretty quickly and began making women’s jewelry using silver, stone and crystal beads and constantly learning techniques to make better pieces. While beading is still a passion, most of my work now is with chain and wire wrap.
Five years ago on yet another dare, I began making rings from old silver coins. I don’t cut or solder the coins. One coin makes one ring and the detail from both sides of the coin is preserved and visible. I fell in love with working metal, and am constantly learning new techniques and exploring the boundaries of turning old coins into cool jewelry. Taking something like a 100-year-old coin and turning it into something it was never intended to be has been an unbelievably rewarding journey, and I love that the possibilities are endless.
I create fused glass in my studio; beginning with sheets of glass, I cut, stack, and shape pieces and then fuse them together to create original functional art. Most are sandblasted and fire polished to give a matte finish to add an extra dimension to the art piece.
