My medium is a varied mix of tiny shells, scraps of paper, slivers of glass, thick gel mediums, crusted gouache additives, creamy acrylic and globs of oil paints, traces of watercolor and melted wax crayons combined with hardened enamels and carefully chosen 14kt gold flake.
Every piece is original and every creation is an unpredictable surprise! I create with a clear heart, no expectations. The materials combined together create a resist-like reaction and the results are different every time…..each piece is genuinely unique and original!
I’m passionate about living the artful life. I have a great appreciation for nature and animals,20% of all sales goes to S.N.A.P. (Spay and Neuter Assistance Program) for animals. I am also an active advocate for the “Adopt Don’t Shop!” movement which means finding forever homes for our homeless furry friends.
The Hanging Pendant believes in the uniqueness of each person. The word Unique is defined as -the one and only, having no like, unusual, rare, extraordinary, different, uncommon, distinctive, special. The word Individual is defined as -single, separate thing or being, particular, distinguished from others by special characteristics. The word You is defined as -Yourself, all of you, you alone. Our pieces are designed for an uncommon, distinctive, particular, separate being that is rare and extraordinary and special, a single being… You! 936-788-3008
My paintings are based on direct observation. I take my French easel out into the city I call home, Houston TX. The subject matter, although always changing, is often the confluence of what I love about Houston; it’s buildings, bayous, highways, tree-lined streets and lush parks and gardens. I hope you can see the beauty of Houston in my Urban Landscapes. 713-305-6626 https://deatlyart.net@deatlyarthur
Downtown Conroe during German Fest” 16×20” acrylic on canvasphoto by Zoe Tucker“Feeding the Ducks, Herman Park “ 16×20” Gouache on W/C paper.
Even though I’m from Houston I received my BFA from Kansas City Art Institute. I was influenced by a professor that said art started and ended with Cezanne. My style is based on the plein air approach of painting from direct observation much like Cezanne approached his subject matter. I go out every week and paint the city I live in, It is my honest response to what I call the Beautiful Ugly that is Houston a place built in a swampy mosquito-infested marshland designed based more on greed happen chance than esthetics. Highway byways bayous and buildings.
Dana Mowdy Spencer is an impressionist, who loves the natural world, and her Native American heritage. She is registered member of Choctaw Nation of Oklahoma, and Choctaw Artist Registry.
Each animal has been inspired by literature or poetry. Whether I am responding to ancient mythology, classic fairytales or modern stories, each character represents aspects of our humanity. These creatures are young and old, simple and layered, vibrant and subdued, royal and common. Animals have a way of connecting us, uniting our differences and blurring political divisions. Even if only for a moment, we feel the freedom to let our guard down. We can simply step back, look into the animals’ eyes, take a deep breath, smile, express gratitude and believe that there is hope for the day when peace returns.
I believe energy is contagious and celebrate the human spirit by extending a colorful show through the end of my paintbrush with bright pops of color and images of activity. I want you to leave my visuals with a “WOW”, a willingness to pop a wheelie, or the need to beat your metaphorical drum.
What started as a hobby has turned into a creative venture for Edwin
and Elizabeth Ennis, who make wall art from recycled wood with a
modern edge to it. Each piece is 100% handcrafted and carved by this
husband and wife team. While many are similar, each piece has it’s own
uniqueness. Their best sellers focus on Houston, incorporating the
Houston skyline, neighborhoods and street names. They love their
hometown of Houston and find it a privilege to showcase her
originality. www.facebook.com/alittleyum/shop
For as long as I can remember, I have been interested in art. People who are familiar with my work would probably be surprised to learn that my first love was pen and ink. I chose to draw because, at the time, I did not have a true understanding of how color works.
Through the years, I acquired formal training, attending The University of North Texas in Denton, Texas, where I studied advertising art. I then went to Art Center College of Design in Pasadena California concentrating in illustration. At this point in my life, I needed to pursue a career, so I received training by attending audio/visual, photo retouching, and illustration software classes at Houston Community College.
My formal training in college dealt with realism, drawing, design, painting, and some three-dimensional work. I gradually developed my own style.
At the age of 29, the world of color opened up to me when I was fortunate to study with Leo Davis, a professor at the University of Arkansas. It was there that I experimented with silkscreen, calligraphy, watercolor, and graphic design.
Because I am somewhat colorblind I use the color straight from the tube mixed with water onto the watercolor paper and let the colors blend by lifting the paper up and down and right to left, allowing the colors to flow into one another, creating pure color blends.
I use watercolor on yupo paper as well as the traditional watercolor paper. I have experimented with alcohol inks on yupo paper as well. I also enjoy computer graphics and programs designed for painting on the computer.
Watercolor is truly an exciting and rewarding medium to work with.
