My medium is a varied mix of tiny shells, scraps of paper, slivers of glass, thick gel mediums, crusted gouache additives, creamy acrylic and globs of oil paints, traces of watercolor and melted wax crayons combined with hardened enamels and carefully chosen 14kt gold flake.
Every piece is original and every creation is an unpredictable surprise! I create with a clear heart, no expectations. The materials combined together create a resist-like reaction and the results are different every time…..each piece is genuinely unique and original!
I’m passionate about living the artful life. I have a great appreciation for nature and animals,20% of all sales goes to S.N.A.P. (Spay and Neuter Assistance Program) for animals. I am also an active advocate for the “Adopt Don’t Shop!” movement which means finding forever homes for our homeless furry friends.
The Hanging Pendant believes in the uniqueness of each person. The word Unique is defined as -the one and only, having no like, unusual, rare, extraordinary, different, uncommon, distinctive, special. The word Individual is defined as -single, separate thing or being, particular, distinguished from others by special characteristics. The word You is defined as -Yourself, all of you, you alone. Our pieces are designed for an uncommon, distinctive, particular, separate being that is rare and extraordinary and special, a single being… You! 936-788-3008
Vincent Fink is a contemporary surrealist working out of his Winter Street Studio in the Arts District where he tirelessly adds to a multitude of expansive, award-winning projects. He instills messages of esoteric knowledge and cultural story-telling into each piece he creates.
Vincent Fink’s work is surrealism in it’s purest form. His dark images with warped perspectives invite the viewer into a world that came from a lucid dream in which he observed the completed work. Pushing himself to recreate something that was beyond his imagination and skill in his waking life, Vincent has used this inspiration to develop the Metamorphosis Project, a concept that continues to spawn the hidden messages of his dreams.
My paintings are based on direct observation. I take my French easel out into the city I call home, Houston TX. The subject matter, although always changing, is often the confluence of what I love about Houston; it’s buildings, bayous, highways, tree-lined streets and lush parks and gardens. I hope you can see the beauty of Houston in my Urban Landscapes. 713-305-6626 https://deatlyart.net@deatlyarthur
Downtown Conroe during German Fest” 16×20” acrylic on canvasphoto by Zoe Tucker“Feeding the Ducks, Herman Park “ 16×20” Gouache on W/C paper.
Even though I’m from Houston I received my BFA from Kansas City Art Institute. I was influenced by a professor that said art started and ended with Cezanne. My style is based on the plein air approach of painting from direct observation much like Cezanne approached his subject matter. I go out every week and paint the city I live in, It is my honest response to what I call the Beautiful Ugly that is Houston a place built in a swampy mosquito-infested marshland designed based more on greed happen chance than esthetics. Highway byways bayous and buildings.
I believe energy is contagious and celebrate the human spirit by extending a colorful show through the end of my paintbrush with bright pops of color and images of activity. I want you to leave my visuals with a “WOW”, a willingness to pop a wheelie, or the need to beat your metaphorical drum.
Painting is my passion and it benefits the soul and mind in many ways. I am so grateful that I have a chance to share it with others. Acrylic paint and mixed media offers endless possibilities to the searching mind of an artist.
Seeing beauty in the design and aged patinas of ancient objects, Modern Artifacts looks to juxtapose unique textures with a modern aesthetic. I draw inspiration from my experience working on an archaeology dig in Houston’s Historic Freedmen’s Town, as well as my time as a Curatorial Assistant for the Houston Museum of Natural Science, and the Stone Fort Museum of Nacogdoches.
I received my BFA from Stephen F. Austin State University where I studied a variety of cultural and historical metalworking techniques as well as advanced chemical patination processes, now specializing in creating my own patinas that I paint on with a torch. I work with sold 14K gold and gold filled materials, sterling silver, nu-gold, bronze, copper, and shibuichi and transform the materials into anthropologically inspired contemporary jewelry.
Conflict free raw blue and black diamonds, fossils, geodes, lapis lazuli, buffalo turquoise, and other stones are sprinkled into my work to enhance the minimal yet bold look of the collection.
Using crisp lines and simple geometry as a vehicle to celebrate the beauty of the raw materials in different states, the pieces appear both polished and new, as well as worn and aged. Whether using patina, a sandblaster, or 23K gold leaf, contrasting finishes define my work and give it the graphic quality which lends it its identity.
I have been a potter for over 40 years, beginning as an apprentice in a professional studio in northern New Mexico before finishing my BFA at Northern Arizona University. After establishing Clay Hearts Pottery in Austin Texas, I moved my studio to Wimberley in the Texas Hill Country. My pottery reflects my long study of ceramic history, in particular work done by women. So I hand build my pieces, pinching coils, cutting slabs and reassembling using the techniques learned in the Southwest. My designs, done in glazes I developed, often pull from 19th century Art Pottery and china painting traditions. All my work is lead-free, safe in the microwave and dish- washer and oven-safe at normal baking temperatures.
