Angela’s abstracts take on a world of their own. Bright colors and happy vibes inspired by music and the world around her. A Native Houstonian and self-taught artist, Angela started painting in her late 20’s but didn’t start sharing her artwork until 2015. Her works have been exhibiting at varies galleries and art shows around Houston. Enjoy her heart and soul. angelarosewallingart.com
My art is often a way for me to make sense of the world, and my place in it. Even the physical act of drawing allows me to feel calmer and more at peace with my surroundings. I suppose my pieces are a way of creating a bridge that connects my world to reality. The subject matter fluctuates, ranging between my desire to purge some inner demon, to merely giving life to an idea I found amusing and wished to create. I often use symbolism to represent my concepts in a broad way, hoping to convey to the viewer a general idea of what I wish to express, without giving them a step-by-step guide of how to relate to my work. I have always found interest in “traditional” methods, such as drawing and painting, and often use both in my pieces. www.AnneByrdArt.com
Macro Splash: We create these singular shapes through the collision of water, cream, paint, or ink droplets. Their various shapes and colors depend on the temperature, viscosity, gravity, density, and volume of the liquids we use. We work with black acrylic or pan filled with liquid in order to reflect the splash. Due to the laws of physics, the end result is often the opposite of what you’d expect.
Mega Splash: Our mega splashes, often called “jelly fish”, because they look like a form of marine creatures, are carried out by propelling water mixed with inks or/and paint of different colors, using a compressor. These water sculptures flow in the air to 6 or 8 feet high. The different shapes are obtained by modifying pressure and the pipe of water supply, which allows breaking the original shape of the “jelly fish” into fairy tale flowers for example. Under pressure, the water extracts the dies which will color the water column. The crystal appearance and the magical transparency looks like the work of a glassblower.
Fluid Painting: In the pouring acrylic painting technique, the paint is not applied with a brush or palette knife, but rather use gravity to move the paint across a surface by tilting it. The results are unlike anything you can get with a brush. The fluid flows without any brush marks or texture. We take macro photography of this psychedelic paint while it still wet and alive by choosing the best swirls. Things always look so different once dry. Our technique: Our splash photographs reveal unique liquid sculptures, created by the collision of water, cream, paint, or ink droplets or by using gravity to move the paint across a surface by tilting it. These liquids in motion are frozen in time by a high-speed flash of light. Our art prints are created with a dye sublimation process on aluminum so the colors become a magical luminescence.
Much of my work today focuses on exploring ways to express the different “seasons” in the circle of life through the use of texture and color. Thus, the symbolism I find in candles, dragonflies, ravens, rust, etc. Art is a wonderful healer. After my youngest daughter died, it was a challenge to work through my feelings of love, loss, grief and anger in a constructive way – to pour it all out on canvas instead of bottling it up inside. While I still think of her every day, life goes on as we continue to place one foot in front of the other. Art is a journey and the road I travel will always be reflected in my work.
For many years I painted in oils, pastels and gouache. I still paint in oil, but am currently enamored with acrylics. The versatility of acrylics inspires me to explore its many techniques and avenues of expression. I’m always thinking about my next project.
Varied styles ranging from military/aviation, surreal/sci-fi, realism and abstract paintings. Detail-oriented works composed of oil and acrylic on canvas. (Bio below)
Market manager Mitch Cohen interviewed Jack for his arts column in The Leader Newspaper. Read it here!
From the thriving city of Houston, Texas, Jack Connelly is an artist whose passion is capturing history, action, wonder and imagination on canvas. Jack has been creating art since the moment he could lift a pencil, and has been an active participant in the professional art world for about 35 years.
In Jack’s opinion, painting is one of the most unrestricted and freeing forms of expression. Most of his pieces are created in acrylic and/or oil paint, although Jack has extensive experience with watercolor, graphite, and mixed media as well.
In the 1980’s and 1990’s, Jack took on a nomadic lifestyle as a full-time art show vendor, displaying his art in an average of three to four shows a week in the South Texas area. Jack has also taught several art classes in the past (and wishes to teach more in the future), and enjoys sharing his knowledge, experience, and guidance with others in order for them to learn and practice painting, as well as develop their art skills and techniques.
Jack Connelly’s styles include (but not limited to) military & aviation, sci-fi, surrealism, realism, impressionism, and abstract art.
Commission paintings are regularly requested and are a major part of Jack’s art career. Many of Jack’s commissions have been for veterans or their families, in hopes of passing down their legacy and honor those who have served their country. He loves to take memories, events, dreams, ideas, etc. and bring them to life on canvas. This gives him the ability to share his passion with others while providing for them a unique keepsake; their personal story told in paint and filled with detail, never to be forgotten.
Yes, It’s paper! My collage process begins when I paint and texture paper of all kinds to create my “palette.” At any given time I have over 1,000 sheets of painted paper in every hue. Papers will include sheet music, sandwich wrappers, dictionary pages, etc. The paper is torn by hand and placed individually. Take a closer look. You might find a piece of poetry or a technical drawing hiding in plain sight. www.LisaMoralesMixedMedia.com 713-240-1227
I am a professionally trained artist having earned a Bachelor of Fine Arts degree from the University of Houston. Since then I have continued practicing my craft exploring various styles, materials and techniques creating highly detailed pieces. While my work is diverse both in choice of medium and subject matter, it centers around nature and organic forms.
I create remarkable jewelry from antique and vintage architectural elements, including hinges, keyholes, chandelier parts and doorbells. I also repurpose musical instruments, clock-parts, vintage tools and postage stamps. I search high and low for castoff pieces of the past, then reinvent them. I frame them in classical jewelry settings, to highlight their hidden and often unintended beauty. The result is a striking and adventurous synthesis of industrial strength, history and glamour.
I am a landscape and nature photographer living in Houston, Texas. My goal is to seek out inspiring rural locations and subjects, either natural or man-made, and capture them with the medium of photography to create fine art of the highest quality. http://www.herschbachphotography.com 713-454-9468
I grew up in a small town in Oklahoma and spent my childhood playing outdoors in the woods, fields, streams, and lakes. I have never much cared for the hustle and bustle of city life. My inspiration comes from my time spent walking, running, biking, riding, and driving the back roads where relatively few travel. Open pasture instead of parking lots. Silos instead of skyscrapers. Barns instead of strip malls. Hills and mountains instead of overpasses and super domes. The rural areas speak to me.
I became interested in art at a young age. My Aunt bought me Mark Kistler’s Draw Squad for my birthday when I was twelve and it taught me the fundamentals of creating a three dimensional world on a two dimensional piece of paper. In Junior High, I took a year of private instruction from a local acrylic painter who worked with wildlife and landscapes. During this time I also was taking piano lessons and even taught myself to play the harmonica and the guitar. I grew to enjoy and become skilled in various arts.
Throughout this time I had experimented in photography, from my first 110 film camera given to me by my first grade teacher, to the Minolta SLR I chose as a high school graduation present. However, it wasn’t until December of 2009 that I began to take photography more seriously when I decided that I would like to create some artwork to hang on the walls in our home. In order to do this, I knew that I had to develop a strong foundation for the technical aspect of photography and to continue developing my artistic eye and mind, which I had already begun years before.
I began scouring the internet and reading every book I could get my hands on and watching countless hours of videos on image processing. I submitted select photos for critique by professional photographers. I took on voluntary photography projects at work and at my church to learn how to use light effectively and picked up some small family portrait jobs here and there for family and friends. With every photograph I created, I grew closer to being able to use photography as not just a way to capture a beautiful scene or subject, but as a viable method of communicating emotion, a fundamental principle of fine art. While I understand that mastery of any genre of art is subjective and, at best, difficult to attain, I wish to share with you the artwork that I create along the way as I work toward this goal.
I’m an old hippie whose jewelry making began 20 years ago when on a dare my wife signed me up for a beginner beading class at a local bead shop. I was hooked pretty quickly and began making women’s jewelry using silver, stone and crystal beads and constantly learning techniques to make better pieces. While beading is still a passion, most of my work now is with chain and wire wrap.
Five years ago on yet another dare, I began making rings from old silver coins. I don’t cut or solder the coins. One coin makes one ring and the detail from both sides of the coin is preserved and visible. I fell in love with working metal, and am constantly learning new techniques and exploring the boundaries of turning old coins into cool jewelry. Taking something like a 100-year-old coin and turning it into something it was never intended to be has been an unbelievably rewarding journey, and I love that the possibilities are endless.