I love objects with multiple personalities- recognizable things that change when incorporated in a piece of artwork. I see that in my work- where antiques and recycled or found objects suggest one thing while the image may suggest another. I love how the layering of encaustic wax reflects the light differently depending on your viewpoint- like water and glass do.
by Kathryn O’Connor. Abstract paintings and photography alluvionart.com
Dana Mowdy Spencer/Choctaw Pony Artworks www.twochoctawsisters.com
Dana Mowdy Spencer is an impressionist, who loves the natural world, and her Native American heritage. She is registered member of Choctaw Nation of Oklahoma, and Choctaw Artist Registry.
At a young age, Sarah discovered her love for art. The process of creating was what sparked her interest. As her love for art continued to grow, she knew the right career choice was to become an artist & art educator. She has now taught art in Houston for 4 years. In 2016, after a life-changing experience, she knew she needed to rediscover her passion for creating. It wasn’t until she started to create again, that she was able to see her true potential as an artist. Her approach to art is intuitive & free flowing as she dives into each new work. She is inspired by color & the process of applying it to her canvas.
“And though the process can sometimes be ugly, it is the final moment that makes it all worth it,” Rimboch said. “Complete satisfaction knowing there is something sitting in front of me that only exists because I created it. And that, is ultimately what fuels my passion.”
by Ruben Salazar
We offer handmade butterfly shadow boxes with a hint of style. Our shadow boxes make great gifts for your friends, family or just for yourself.
by Paul Atwell
Painted specimen quality insects, sometimes larger than life, sometimes smaller. I primarily work in watercolor on paper. PaulAtwell.com
Custom woodworking from furniture to unique gifts. Specializing in music-related items and furniture designs that complement and enhance your home. www.woodworkingbanddirector.com instagram.com/rmichaelhardywoodworking facebook.com/woodworkingbanddirector
My work is inspired by the things that inspire me personally, which are many and varied. As a geoscientist, rocks and stones are almost always my main source of inspiration, especially incredibly well-cut stones from independent lapidary artists.
However, design itself is another influence on my pieces. Bringing shapes, textures, and color together in unexpected ways and the desire to bring jewelry away from the body is, currently, a major influence. In addition to the many things and ideas that inspire me, I want my jewelry to evoke quiet refinement and sophistication while being interesting and wearable. To achieve this, I use minimal styling incorporating clean lines, subtle texturing, and careful attention to finish. My work is set apart by the use of tactile design and 3D elements, like texturing flat silver then manipulating it into domes and folds. It’s comfortable and wearable, but still different enough to incite questions like “Where did you get that?”
I create images of the wilderness embedded in our urban metroplex, letting light and shadow define my subjects. My photos document my walking journey, where I have slowed my pace to really look at my neighborhood in inner loop Houston and to capture moments of beauty that stir the soul.www.pennyraerobinson.com
The Edith L. Moore Nature Sanctuary is a 17.5-acre wildlife preserve in west Houston, Texas. The sanctuary photographs, taken over a seven-month span, feature native birds and wildlife, and display colorful southern seasons. The pictures are accompanied by some of Edith’s writings selected from her small diary. Edith’s words describe her life in the woods, the land that she loved, and her log cabin home.
Bio:
I grew up in a neighborhood that had been eked out of prairie grasslands in North Dakota. Dramatic seasonal changes impacted all my senses, from brilliant sun-sparkles on crisply drifted snow, to the soft sound of undulating prairie grasses in the evening breezes; from the bitter taste of red rhubarb plucked from our garden to the breathtakingly sharp smell of twenty below zero. I have touched the wind and felt the immensity of the sky unrestricted by all except puffy white clouds in azure summer skies and grey-blue bleary smudges of winter’s early evenings. There is my heart home.
I have been away from home for over three decades now. The gentler Houston winters provide grounds for lush gardens; the soft springs invite long walks and camping trips; the intensely humid summers force air conditioned hibernation from the oppressive heat, and the autumns may revive us again with the brilliant foliage of native trees if we are blessed with a cold kiss from the north. These southern charms have lodged also in my heart.
It is in the four seasons where I begin to see the eternal creative thought of God. Days and weeks pass by, each one revealing new aspects of God’s wisdom, glory and love. No matter where I find my lodging, I will keep seeking the trails of His beauty to capture expressions of His likeness.
My art is often a way for me to make sense of the world, and my place in it. Even the physical act of drawing allows me to feel calmer and more at peace with my surroundings. I suppose my pieces are a way of creating a bridge that connects my world to reality. The subject matter fluctuates, ranging between my desire to purge some inner demon, to merely giving life to an idea I found amusing and wished to create. I often use symbolism to represent my concepts in a broad way, hoping to convey to the viewer a general idea of what I wish to express, without giving them a step-by-step guide of how to relate to my work. I have always found interest in “traditional” methods, such as drawing and painting, and often use both in my pieces. www.AnneByrdArt.com
