Martin Levine
High-speed photography, landscapes, wildlife and astrophotography availableĀ on metal, canvas and photo paper. levinefineart.com
High-speed photography, landscapes, wildlife and astrophotography availableĀ on metal, canvas and photo paper. levinefineart.com
by Kendra Jones
I’ve been twisting, weaving, hand forging wire for 6 years now and every day I learn something new. Each piece created tells a unique story and it aspires to bring out the uniqueness in every woman. I rarely sketch out designs and my work truly represents my raw, free flowing creativity. I take pride in creating each piece of jewelry by hand, and knowing that my customers are getting an excellent quality piece of art. www.bykjones.com
by Heather Wobbe
Seeing beauty in the design and aged patinas of ancient objects, Modern Artifacts looks to juxtapose unique textures with a modern aesthetic. I draw inspiration from my experience working on an archaeology dig in Houston’s Historic Freedmen’s Town, as well as my time as a Curatorial Assistant for the Houston Museum of Natural Science, and the Stone Fort Museum of Nacogdoches.
I received my BFA from Stephen F. Austin State University where I studied a variety of cultural and historical metalworking techniques as well as advanced chemical patination processes, now specializing in creating my own patinas that I paint on with a torch. I work with sold 14K gold and gold filled materials, sterling silver, nu-gold, bronze, copper, and shibuichi and transform the materials into anthropologically inspired contemporary jewelry.
Conflict free raw blue and black diamonds, fossils, geodes, lapis lazuli, buffalo turquoise, and other stones are sprinkled into my work to enhance the minimal yet bold look of the collection.
Using crisp lines and simple geometry as a vehicle to celebrate the beauty of the raw materials in different states, the pieces appear both polished and new, as well as worn and aged. Whether using patina, a sandblaster, or 23K gold leaf, contrasting finishes define my work and give it the graphic quality which lends it its identity.
My work is inspired by the things that inspire me personally, which are many and varied. As a geoscientist, rocks and stones are almost always my main source of inspiration, especially incredibly well-cut stones from independent lapidary artists.
However, design itself is another influence on my pieces. Bringing shapes, textures, and color together in unexpected ways and the desire to bring jewelry away from the body is, currently, a major influence. In addition to the many things and ideas that inspire me, I want my jewelry to evoke quiet refinement and sophistication while being interesting and wearable. To achieve this, I use minimal styling incorporating clean lines, subtle texturing, and careful attention to finish. My work is set apart by the use of tactile design and 3D elements, like texturing flat silver then manipulating it into domes and folds. Itās comfortable and wearable, but still different enough to incite questions like āWhere did you get that?”
I create images of the wilderness embedded in our urban metroplex, letting light and shadow define my subjects. My photos document my walking journey, where I have slowed my pace to really look at my neighborhood in inner loop Houston and to capture moments of beauty that stir the soul.www.pennyraerobinson.com
The Edith L. Moore Nature Sanctuary is a 17.5-acre wildlife preserve in west Houston, Texas. The sanctuary photographs, taken over a seven-month span, feature native birds and wildlife, and display colorful southern seasons. The pictures are accompanied by some of Edith’s writings selected from her small diary. Edith’s words describe her life in the woods, the land that she loved, and her log cabin home.
Bio:
I grew up in a neighborhood that had been eked out of prairie grasslands in North Dakota. Dramatic seasonal changes impacted all my senses, from brilliant sun-sparkles on crisply drifted snow, to the soft sound of undulating prairie grasses in the evening breezes; from the bitter taste of red rhubarb plucked from our garden to the breathtakingly sharp smell of twenty below zero. I have touched the wind and felt the immensity of the sky unrestricted by all except puffy white clouds in azure summer skies and grey-blue bleary smudges of winterās early evenings. There is my heart home.
I have been away from home for over three decades now. The gentler Houston winters provide grounds for lush gardens; the soft springs invite long walks and camping trips; the intensely humid summers force air conditioned hibernation from the oppressive heat, and the autumns may revive us again with the brilliant foliage of native trees if we are blessed with a cold kiss from the north. These southern charms have lodged also in my heart.
It is in the four seasons where I begin to see the eternal creative thought of God. Days and weeks pass by, each one revealing new aspects of Godās wisdom, glory and love. No matter where I find my lodging, I will keep seeking the trails of His beauty to capture expressions of His likeness.
Without Remorse was foundedĀ with the dream of empoweringĀ people to be able to buy the products they loveĀ while making a difference.Ā We design each pieceĀ with the vision of showing off the beauty of nature. All pieces are handcraftedĀ with natural high-quality raw stones straight from the earth. We then take 10% of the profits and donate them to help injured and abused animals. Ā www.withoutremorse.net
by Stella and Philippe Coupe
Macro Splash: We create these singular shapes through the collision of water, cream, paint, or ink droplets. Their various shapes and colors depend on the temperature, viscosity, gravity, density, and volume of the liquids we use. We work with black acrylic or pan filled with liquid in order to reflect the splash. Due to the laws of physics, the end result is often the opposite of what youād expect.
Mega Splash: Our mega splashes, often called ājelly fishā, because they look like a form of marine creatures, are carried out by propelling water mixed with inks or/and paint of different colors, using a compressor. These water sculptures flow in the air to 6 or 8 feet high. The different shapes are obtained by modifying pressure and the pipe of water supply, which allows breaking the original shape of the ājelly fishā into fairy tale flowers for example. Under pressure, the water extracts the dies which will color the water column. The crystal appearance and the magical transparency looks like the work of a glassblower.
Fluid Painting: In the pouring acrylic painting technique, the paint is not applied with a brush or palette knife, but rather use gravity to move the paint across a surface by tilting it. The results are unlike anything you can get with a brush. The fluid flows without any brush marks or texture. We take macro photography of this psychedelic paint while it still wet and alive by choosing the best swirls. Things always look so different once dry.
Our technique:
Our splash photographs reveal unique liquid sculptures, created by the collision of water, cream, paint, or ink droplets or by using gravity to move the paint across a surface by tilting it. These liquids in motion are frozen in time by a high-speed flash of light. Our art prints are created with a dye sublimation process on aluminum so the colors become a magical luminescence.
Original handmade micro-macramĆ© and beaded jewelry. I get inspiration from natural forms and work mostly with natural materialsāthread, silver, and semi-precious stones. I like simple beauty, but also enjoy more elaborate and intricate designs. lillianeelysian.com